Miu Miu's Modernist Glamour

Advertisements
Miu Miu's Modernist Glamour. Paris – The final major show on the four-week and four-city fall 2011 fashion circuit was Miu Miu in Paris on Wednesday, March 9, and while it obviously referenced '40s glamour, it was the most modern collection of all in terms of silhouette and line.

Though designer Miuccia Prada is arguably better known for her innovative use of fabrics, her unerring sense of what is new and her inspired meeting of art and fashion, this was her showing off her skill at cutting and inventing new shapes.




That much was clear from the opening, which consisted of superlatively well-shaped coats and jackets, offered with large heroic shoulders, off set large buttons and micro pointy collars. Adding to the novelty were large romantic bows and twisted Obi belts, making every look classy yet audacious.

Frequently the coats were shown without any skirts, adding edge and allure. Also resplendent were the silk dresses cut at the knee, embroidered with images of daisies, daffodils or swallows, all of them somehow very French, albeit designed by a quintessentially Italian creator.

However, not every look worked. A few gathered tops in wool were rather frumpy and sometimes the cut was just too bulky. However, no Miu Miu show lacks appetizing accessories, and this was no exception. A favorite was a brass trimmed curvilinear bag made in felt - the fabric of the season for handbags - that had great class. Glitter added a faintly trashy touch but always with a certain panache, especially in curved heeled glitter high-heels, the best of them tied with wide gross grain ribbons.

"I wanted a sense of glamour, but dusted down, and with a new attitude, and more romance," explained the designer, sipping champagne on a front row bench of the emptied setting.

Rarely has the location of fashion synched so well with the collection. Prada hired a striking modernist government building near the Trocadero, one that had never been used for a runway show. Designed by the distinguished French rationalist architect Auguste Perret, its vigorous, poured concrete style, and curvy stairways and entrance were an ideal home for this important, curvilinear collection.

"The Bieber" Hairdo Robert Pattinson Considers

Advertisements
"The Bieber" Hairdo Robert Pattinson Considers. What has contributed to Robert Pattinson's film success? It's got to be the hair.

In an interview with MTV, the Twilight star gamely discusses the evolution of his scene-stealing locks, ranging from the so-called "Wavy Forest" and "The Cullen Pouf" to the "Windswept What the F---" and "Controlled Chaos." He admits that he's partial to the "forest thing" and even recalls walking the red carpet for Harry Potter and the Order of the Phoenix in 2007. Robert Pattinson on Charlie Sheen: I like crazy people.

Despite rumors to the contrary, Pattinson denies having ever met the similarly follicly-blessed Justin Bieber, but he admits he's open to trying out the signature "Bieber" hairdo... or at the very least "a Bieber Hat."..


Pattinson also dishes on the differences between how he and his Twilight co-star Kristen Stewart approach acting. "We just have different ways of thinking," Pattinson says. "I like the kind of cerebral aspect of things, and she has kind of an immediate emotional response to stuff every single time."

Sometimes, his meticulous and analytical side can exasperate Stewart, who often instinctually comprehends a project. "She's like, 'Why can't you understand? It's obvious. You don't know, you shouldn't be an actor!'" he says.

Pattinson stars opposite Reese Witherspoon in the adaptation of Sara Gruen's acclaimed novel Water for Elephants, which hits theaters on April 22. Fans of the Twilight Saga will have to wait till November for the first part of Breaking Dawn premieres.

'Idol' Judges Jennifer's Mini

Advertisements
'Idol' Judges Jennifer's Mini. Steven Tyler and Randy Jackson might have some competition on their hands! Jennifer Lopez showed up at the "American Idol" set for Thursday's results show with her adorable 3-year-old twins, Max and Emme, both of whom seemed right at home at the judges' table with their mom.


"[It's] take your twins to work day at IDOL" tweeted Lopez, whose husband Marc Anthony was also spotted on set that afternoon. Hours later, J.Lo and her fellow regular adult-sized judges sent home "Idol" contestant Karen Rodriguez, who tried every trick in the book to earn a save from the judges, including a personal appeal to Lopez.

While Rodriguez failed to make the cut, Lopez thinks she may have a potential superstar of her own on her hands -- her daughter Emme.

"It's funny when you listen to her, because ... she sings out of pure joy and pleasure," shared Lopez on "The Rachael Ray Show" last month, adding that her daughter isn't quite ready for an audience just yet. "The minute she thinks you're watching her, she stops. But she has a beautiful little voice, almost like a little Shirley Temple vibrato type thing."

As for her son Max? Well, he's turning out to be a typical little boy. "We travel a lot, and the minute we get anywhere, we put everything away," Lopez told Ray. "No flowers, no nothing, no cups, no forks, no knives, no fruit. [He's] into everything, and just wants to throw and break everything in the world."

Following the success of her hot single "On the Floor," the latest song from Lopez's upcoming album Love?, "Invading My Mind," has leaked onto the web. Check it out!

Ashley Greene Jumps From Joe to Jared

Advertisements
Ashley Greene Jumps From Joe to Jared. "Twilight" star Ashley Greene isn't shedding too many tears for ex Joe Jonas. Not long after the couple's breakup was confirmed on Thursday, the 24-year-old "Twilight" star was spotted out and about with Kings of Leon bassist Jared Followill, also 24.

Jared and Ashley -- who got into the St. Patrick's Day spirit by donning skinny green jeans -- celebrated the Irish holiday at the no-frills Phebe's Tavern in Manhattan's East Village. Based on their Twitter feeds, the two parted ways afterwards ... and went on to have very different evenings.


Jared tweeted a photo of himself and former Oklahoma Sooners running back DeMarco Murray that night, writing, "Me and my boy @DeMarcoMurray in NY. I'm showing him around the city. Been drinking all day. Don't judge."

Ashley's night was a little more subdued: "Good food. Good friends. Great day. Now I'm at home watching beauty and the beast haha. Super cool."

Do you think Ashley and Jared would make a good couple or was she better off with Joe?

Selena vs. Katherine Fashion Faceoff

Advertisements
Selena vs. Katherine Fashion Faceoff. Ladies and gents, we've got another fashion battle on our hands. This time it's a Disney princess up against a rom-com queen, and it's going to be a fierce one! Though they donned it in different colors, Selena Gomez and Katherine Heigl were both spotted wearing the same Reem Acra cocktail frock for different events in Los Angeles and New York. Question is ... who wore it best?


Just last month, Selena wore a purple version of the Reem Acra Resort 2010 dress to the premiere of her boyfriend Justin Bieber's concert film, "Justin Bieber: Never Say Never." The "Wizards of Waverly Place" starlet paired her gown with a gorgeous tan, center-parted curly tresses, a jeweled clutch, and embellished nude heels.

Way back in July 2009, Katherine Heigl sported the same Reem Acra number -- this time in cobalt blue -- to an advance screening of her comedy "The Ugly Truth" in New York. Heigl chose to accessorize her outfit with black peep-toes, a statement bracelet, and lackluster brown locks.

Selena hiked up the hem on her dress, which immediately lent the 18-year-old's outfit a younger, funkier vibe, and allowed her to showcase her toned legs! Katherine's gown is perfectly age-appropriate for her 32 years, though her hair belongs on the head of someone a few decades older. Overall, I'd have to go with Gomez on this one as her 'do, dress, and accessories are all pretty much perfect.

Danica not happy after wreck at Bristol

Advertisements
Danica not happy after wreck at Bristol. Danica Patrick’s spring session in NASCAR ended with a bang. A big one. And she wasn’t happy about it. With 53 laps to go in Saturday’s Nationwide race at Bristol Motor Speedway, Patrick made contact with Ryan Truex. Patrick’s car spun hard into the wall first the nose, then the rear, leaving her with a destroyed race car.

After getting out of her car, Patrick waited for the cars to come back around. When they did, Patrick walked onto the track, located Truex and spread her arms apart as if to say, “What gives?”




“It felt like to me I came out of the corner I was just running down the straight and it felt like he came off the wall,” said Patrick, who was running 17th at the time, two laps down. “I don’t I know if he had a tag-slap off the wall, like he was pushing up and then it snapped on him and he came off. I don’t know. I don’t know if I may be giving him the benefit of the doubt right there.

Upon first look it didn’t appear as though Truex did anything wrong. It looked liked Patrick got loose, slipped up the track and into Truex’s rear bumper. But the head-on replay does show Truex turning slightly into Patrick’s lane.

“It was my fault. I guess that’s just racing at Bristol,” Truex said. “We were racing there and I just came off the corner, got loose, and as I was saving it just came down the hill and got into her. My fault. I mean, I’m sorry. I didn’t want for that to happen. I don’t know if she thinks I did it on purpose. I guess she’s just mad because she was running good. It was an accident. I apologize.”

Regardless of fault, it was a tough way for Patrick to end this portion of her Nationwide schedule. She’d finished in the top 20 in her first three races, including a career-best fourth-place run two weeks ago at Las Vegas.

She ended up 33rd at Bristol.

Now, she heads back to her day job in IndyCar. Patrick’s next Nationwide race is June 4 at Chicagoland Speedway.

“I’m just disappointed,” she said. “I felt like this was a pretty decent run at Bristol for the first time. … It’s disappointing to leave for a couple of months with this kind of a thing.”

Kyle Busch won the race, his fourth straight win at Bristol across both the Nationwide and Cup series.

Danica not happy after wreck at Bristol

Advertisements
Danica not happy after wreck at Bristol. Danica Patrick’s spring session in NASCAR ended with a bang. A big one. And she wasn’t happy about it. With 53 laps to go in Saturday’s Nationwide race at Bristol Motor Speedway, Patrick made contact with Ryan Truex. Patrick’s car spun hard into the wall first the nose, then the rear, leaving her with a destroyed race car.

After getting out of her car, Patrick waited for the cars to come back around. When they did, Patrick walked onto the track, located Truex and spread her arms apart as if to say, “What gives?”

“It felt like to me I came out of the corner I was just running down the straight and it felt like he came off the wall,” said Patrick, who was running 17th at the time, two laps down. “I don’t I know if he had a tag-slap off the wall, like he was pushing up and then it snapped on him and he came off. I don’t know. I don’t know if I may be giving him the benefit of the doubt right there.

Upon first look it didn’t appear as though Truex did anything wrong. It looked liked Patrick got loose, slipped up the track and into Truex’s rear bumper. But the head-on replay does show Truex turning slightly into Patrick’s lane.

“It was my fault. I guess that’s just racing at Bristol,” Truex said. “We were racing there and I just came off the corner, got loose, and as I was saving it just came down the hill and got into her. My fault. I mean, I’m sorry. I didn’t want for that to happen. I don’t know if she thinks I did it on purpose. I guess she’s just mad because she was running good. It was an accident. I apologize.”

Regardless of fault, it was a tough way for Patrick to end this portion of her Nationwide schedule. She’d finished in the top 20 in her first three races, including a career-best fourth-place run two weeks ago at Las Vegas.

She ended up 33rd at Bristol.

Now, she heads back to her day job in IndyCar. Patrick’s next Nationwide race is June 4 at Chicagoland Speedway.

“I’m just disappointed,” she said. “I felt like this was a pretty decent run at Bristol for the first time. … It’s disappointing to leave for a couple of months with this kind of a thing.”

Kyle Busch won the race, his fourth straight win at Bristol across both the Nationwide and Cup series.

Limits community college students UCSD policy

Advertisements
Limits community college students UCSD policy. With transfer applications soaring and budget cuts looming, the University of California San Diego is raising the threshold on a guaranteed admission program for the state’s community college students.


For years, community college students who took specific courses and obtained a 3.0 grade-point average could count on admission under the program called Transfer Admissions Guarantee, or TAG.

But faced with growing demand and limited capacity, UCSD officials in recent weeks have notified community college officials statewide that for guaranteed admission in 2012 and beyond TAG students will have to earn GPAs of 3.5 or better.

Mae Brown, assistant vice chancellor and director of admissions at UCSD, said that TAG applications have grown from 443 five years ago to 8,715 for fall admission this year.

“We saw the exponential growth in TAG applications — this is a guarantee — and the obvious issue is we don’t have the capacity,” Brown said. “Given the severe budget situation, and the university (statewide) taking a $500 million or more budget reduction, if we are going to guarantee, we should be guaranteeing admissions to the best prepared.

UCSD’s program started in the early 1980s and involved only two-year schools in San Diego and Imperial counties. Later, UCSD entered agreements with 33 colleges around the state. And since 2009 it has offered the program to all 112 California community colleges.

Brown said applications spiked dramatically for 2011 largely due to a new computer-based process that makes it easier for TAG students to apply to multiple campuses. Still, she said, the trend was already overtaxing the campus’ capacity.

The university’s decision has prompted a sharp response from officials of Southwestern College, which serves a predominantly minority population in the South Bay.

“We are very concerned,” said Angelica Suarez, vice president for student affairs at the one-college district. “It’s about access for our students. This is going to narrow and reduce the number of students who can go to UCSD.”

Suarez and Jaime Salazar, Southwestern’s transfer center coordinator, said UCSD’s decision directly contradicts university policies calling for the removal of barriers for students from traditionally underrepresented groups.

“They’re always giving us lip service,” said Salazar. “They say they’re committed to diversity, but it’s all lip service. It’s all about being the Ivy League of the West, serving the elite.”

Brown, who has met recently on the issue with representatives of all six community college districts in San Diego and Imperial counties, dismissed the notion that the change runs counter to the university’s diversity goals. She said that when the TAG program was implemented in the early 1980s — available then only to local two-year colleges — it was meant to boost then-low transfers from community colleges.

“It had nothing to do with underrepresented minorities,” she said.

Brown noted that UCSD will continue to admit community college transfers through TAG and the non-guaranteed transfer process.

“Because community colleges are so racially diverse, you automatically pick up more diversity whenever you admit those transfers,” she said.

Of the nine University of California undergraduate campuses, seven have TAG programs. Berkeley and UCLA do not offer guaranteed transfer admissions to community college students.

Nick Serrano, a Southwestern College student government officer, disagrees with Brown’s contention that the decision is neutral in its effect on minorities.

“The change from a 3.0 to a 3.5 is huge,” said Serrano. “To a lot of our students this is discriminating because minority students do tend to have lower GPAs.”

He added that many UC-eligible Southwestern students can’t really consider other campuses in the system because they can’t afford the cost of living away from home.

“It’s an access issue,” Serrano said. “It will limit a lot of our students, who can only go local, from going to UCSD.”

UCSD accepted 25 TAG students from Southwestern in 2008, 46 in 2009 and 66 in 2010. It has received 152 TAG applications for fall of this year.

Brown said that based on 2010 data, she estimates the 3.5 threshold would have reduced the applicant pool by about 50 percent.

Administrators at other local community colleges are not as distressed by UCSD’s decision as their counterparts at Southwestern.

“I agree that it’s a big jump (from 3.0 to 3.5,)” said Lynn Neault, vice chancellor of student services for the San Diego Community College District. “As the demand for higher education increases, they’ve got to manage budgets and manage enrollment just like we do.

“What we need to do is make clear to our students from the start that they need to get as high a GPA as they can.”

Neault estimated that the higher GPA would disqualify about 45 percent of her district’s TAG applicants.

Southwestern College officials and others have asked UCSD to modify its decision. They have suggested that students already in the program be grandfathered in at 3.0 for 2012 admission.

Other suggestions include keeping the threshold at 3.0 for San Diego and Imperial county students while raising it for others. Another is that the level be raised only to 3.2.

Brown said the decision has already been made by the faculty’s admissions committee. But the question of those in the pipeline, at least, is open to discussion.

“We’ve met with the community college vice presidents,” Brown said. “And we’ve talked about ways to accommodate students in that bind.

Shirtless Twilight Stars Robert Pattinson

Advertisements
Shirtless Twilight Stars Robert Pattinson. Robert Pattinson in 'New Moon'. Although Rob likes to joke in interviews about not being as buff as his 'Twilight' co-stars, his chiseled torso looks pretty good to us.

Adrianne Palicki in 'Wonder Woman' costume

Advertisements
Adrianne Palicki in 'Wonder Woman' costume. Red alert! Or should we say blue? EW has obtained an exclusive first look of Adrianne Palicki as Wonder Woman aka Diana Prince from NBC’s reboot of the classic 1970s series.


What’s different from what we’ve seen before? Well, how about those shiny blue pants? And blue boots instead of red ones? Compared to Lynda Carter’s get-up, this body-hugging extravaganza the emphasizes the patriotism and seems to play up the comic’s Greek mythology. And a special shout-out to those bracelets.

Wonder Woman is being remade by Boston Legal writer David E. Kelley, who has incorporated the superhero’s signature lasso, cuffs, and plane in the pilot. NBC promises the project, if picked up to series, will offer a serious, non campy take on the DC Comics character.

Along with Palicki, Elizabeth Hurley (Austin Powers: The Spy Who Shagged Me) and Cary Elwes (Saw, The Princess Bride) have joined the cast. Hurley’s character runs a pharmaceutical company that is creating a drug that makes people stronger while Elwes plays the CEO of Diana’s company, Themyscira Industries.

Katherine Heigl Bares hot Bikini Photos

Advertisements
Katherine Heigl Bares hot Bikini Photos. It certainly was a relaxing Friday for Katherine Heigl and her husband Josh Kelley, who spent the end of the week soaking up the sun and enjoying the ocean in South Beach.

The happy couple took a dip in the warm waters down in Miami, as Katherine flaunted her famous body in a two-piece black bikini. Kelley, meanwhile, kept things casual in a pair of boardshoarts and a pair of aviator sunglasses. Hey, what else does he need to do … he’s there with Katherine Heigl!

Heigl was perhaps swimming off the stressful news that her supposed to be summer movie, One for the Money, has been bumped from July to June, which is a much less desirable month, box office wise.